Professor Skies

September 14, 2014 11:27 PM
“Good morning class,” Professor Skies called out promptly at ten-thirty. They were far enough into term now that everyone should have been finding their way to class without difficulty, so excuses for lateness would need to be good.

Although the students' results would still be somewhat variable, they should by now have gained a basic understanding of the mechanics of Transfiguration, and be reliably getting some result every time, even though heir efforts were likely to be a long way from perfect. Therefore, Selina had decided to introduce a new element to them today.

“Today, we will be working on design work. Often, in exams, the task is set so that the average student can complete it competently. Therefore, in order to distinguish who is average from who is exceptional, examiners will look at the level of style with which the task is executed. This is a theme that will come up throughout your time here at Sonora, and will always be a way in which you can stretch yourself in this class. It is also a good way to bridge between the lower and higher level tasks,” by now, her students would be used to the fact that she normally set one task for the lower year in the class and one for the upper.

“Today, you will be making metal stamps, of the kind you might dip in ink to do printing, or press into sealing wax. First years, please take a plain metal ingot, second years a block of wood.” As she said this, a box containing piles of both materials began to float around, pausing in front of each student. The first years had only to concentrate on creating a design, whilst the second years needed to transfigure the material at the same time. “It may help to sketch out your design before you begin so that it stays firmly in your mind. Remember to know your own limitations – it is better to have a complete stamp with a simple design than a half formed mess that would have been elaborate if complete.

“The spell is signum and the wand movement is circular in general, though can be substituted for a square pattern if your design is more angular. Feel free to experiment and see whether it makes a perceivable difference to your work.

“You may talk quietly amongst yourselves. I'll be making my way around the room to see how you're getting on but please attract my attention if you need help. You may begin.”

OOC – welcome to Transfiguration. As indicated in the post, this takes places part way through term, so your character already has some familiarity with the subject. Posts here are graded on your realism not how well you claim to have performed, so keep it in line with what could be expected of someone of your character's age and experience. You are being supervised and Professor Skies would not allow anything to get out of hand, so please give me time to intervene if you are having trouble, and tag me in the subject line to get my attention.

Please put your character's name and house in the author line.

Posts are marked on length, realism, creativity and relevance. Enjoy.
Subthreads:
13 Professor Skies Beginners - the start of something beautiful 26 Professor Skies 1 5


Uzume Shinohara, Crotalus

September 23, 2014 4:30 AM
Uzume walked through the halls toward her Transfiguration class, her lilac lace dress swishing lively in contrast to her indifferent steps. Transfiguration was one of those classes she categorized as a ‘waste of time’. In her opinion, none of the spells were beautiful enough to use in her dancing, meaning they were absolutely useless to her. She supposed maybe some people could find benefits to transfiguration, however with her status she would never have to worry about transforming one petty object into a different, albeit equally, petty object.

It was 5 minutes to the start of class; as usual she was right on time. The first week of classes she mentally timed out the walk to each room, so that no time was wasted waiting for the lesson to begin. She hated this about Western schooling. Really, the idea that she had to go to the teacher’s room to learn. It wasn’t like there were so many students in the school that they had to have multiple first year classes. It was just the same small group of first and second years being herded from room to room. Utterly ridiculous in her opinion. So as a sign of defiance, each day she attempted to walk in at the last minute. Professor Skies couldn’t very well say anything as long as she wasn’t late, and she made sure to be there right as the clock struck 10:30.

Sitting at a table in the middle of the room, Uzume got out her parchment to take notes. She had to pay attention at least a little if she wanted to pass the class, lest she be forced to do the unthinkable, and actually repeat first year transfiguration.

“How pointless,” she thought to herself as Professor Skies revealed the task for the day. She had several stamps back in her room, and even more in her father’s office at the Shinohara manor. If there was an off chance that none were available, she only needed to send out a servant to buy one. So in Uzume’s eyes, the idea of making a metal stamp seemed like nothing more than a glorified art project. Even so, she still wrote down the instructions on her paper verbatim. To avoid any possible confusion when referencing her notes in the future, she wrote most of them in Japanese. Not only was writing this way much faster, but it insured consistency. So far, this system had worked very well for her. Homework assignments on the other hand were another beast all their own. Many times she had to rewrite entire pages due to all her spelling errors. It’s not that her English was bad per say, just that writing was a lot harder when an entire language was made up of only 26 letters.

When the box reached her, she threw her hand in, and pulled out the first metal ingot she touched. She chose not to waste her time choosing between pieces of junk metal like her other classmates might be so inclined to do. Although Professor Skies suggested that they sketch out the design first, Uzu felt there would be no need seeing as she was copying one she had seen before. The crest of the Shinohara Clan was the azalea, a beautiful strong flower native to her home of Nikko. The flower crest was featured on countless items throughout the manor, including all of the sealing stamps. She had seen it so many times before, that it was engrained into her memory. As such, she didn’t want to draw it, as her poor art skills wouldn’t give the elegant flower the honor it deserved.

Looking at her ingot, she held the picture of the seal in her mind. After a calm breath, she waved her wand in a circular motion. “Signum” she said confidently, only a trace amount of her accent slipping through. The end of the ingot began to transform into the familiar 5-petal flower stamp. Success. Unfortunately, this was the only part of the stamp that was successful. Except for the side that held the design, the other 5 sides of the metal rectangle stayed exactly the same. It looked absolutely bland compared to the one she was used to using. Stamps were supposed to be circular and have a metal grip adorned with designs, nothing close to what she had transfigured. Uzu tried picking it up to see if it could still be used as a stamp. Not only was it uncomfortable to hold without a grip, it was extremely heavy, even more so than when she had originally taken it out of the box. She grimaced; realizing that by changing the weight of the object, she had effectively hindered much of its use as a stamp.

“Do you think Professor Skies would let this pass as a finished project?” she asked the person seated next to her, not caring if she was interrupting their work. “Technically seeing as it has a stamp at the end it could be considered a stamp right?” she continued, trying to justify that what she had made was sufficient enough to turn in. She just wanted to be done with the thing.
0 Uzume Shinohara, Crotalus I can only hope. 0 Uzume Shinohara, Crotalus 0 5


Tobias Reinhardt II, Teppenpaw

September 23, 2014 8:11 PM
The assignment for that day's class had greatly intrigued Tobi. Though the class was technically transfiguration, the spell-work fell into the category of things his parents did in their metal and wood charming business. He had seen his father use the spell several times and he and his brother, Aarne, had mimicked him from behind the work table using scraps of metal and wood as makeshift wands. Because of all this, he was fairly confident that he would be able to complete the design portion of the stamp rather easily. However, Tobi was never one for showboating and did not wish to take a block of wood especially because Professor Skies had specifically asked first years to take metal and second years to take wood. In addition, he knew that he had not been trained enough to know how to transfigure wood into metal so while the first year's work would be easy for him to complete, the second year's work would most likely be too difficult.

He already knew what design he wanted to create, but first before he committed to anything he wanted to see what size and shape of metal ingot he received. One thing his father taught him was to listen to the metal (or to the wood). The metal would say what it wanted to be turned into and what it wanted to look like. No one could force it to do anything it didn’t want to do and that, Tobias Reinhardt I said, was the secret to successful metal charming. So, after Tobi dipped his hand into the box that was going around the room, he decided what he would do. The ingot was long and rectangular shaped. Tobi figured that if he could push the top half of the ingot together like a handle, he could work with what the stamp itself was going to be. He didn’t think he particularly need to design the handle though, as his father believed that tools didn’t have to look pretty as long as they were functional. And since stamps were tools that meant functionality were their prime reason for existence.

Tobi placed the piece of metal on his desk in front of him and deliberated over the steps to creating the stamp. He didn’t know if he wanted to take his chances and form the handle and the stamp design at the same time like he’d seen his father do or if he wanted to aim for precision and preform the spell twice-- once for the handle and once for the design. In the end he settled on the second one, wanted to do his family proud and make a really great stamp. “Signum,” he said, moving his wand in a circular motion and envisioning a smooth, rounded handle. Tobi continued to move the wand in a circular motion even after he had finished saying the spell in an attempt to smooth out the edges further like he had seen potters do with their fingers when making something with clay. Once he was satisfied with the result, he closed his eyes and thought hard about his design. He saw the two squares that sat on either side of two rectangles, each connected with a line, mirroring the other side around a perfectly symmetrical hard-edged tree shape. “Signum,” he cast again, drawing out his square wand movements slowly, imagining them to carry the line through from each end of the stamp to the other.

He reached his fingers out to trace the smooth engraving on the underside of his ingot turned stamp. Though the design was not perfect, it was still a good first attempt. It greatly resembled the Haudenosaunee flag though the squares were not perfect, the lines the connected them wavered, and the tree shape was slightly lopsided. Besides, it was a simple yet meaningful design and Professor Skies had said it was better to create something simple that could be pulled off than something that could have been great but really only looked like a melted blob. Tobi was admiring his handiwork when the student sitting next to him spoke.

“Do you think Professor Skies would let this pass as a finished project?” the girl asked. “Technically seeing as it has a stamp at the end it could be considered a stamp right?”

Tobi tilted his head slightly to the side as he examined the botched piece of metal. It looked rather sad but he didn’t want to offend the girl. He recognized her as Uzume Shinohara not only because she had stood out at the Opening Feast with Japanese dress greatly contrasting with the sea of Western clothing around her but also because she always managed to slide into a seat just in the nick of time each class period. Tobi half-admired, half-disliked her for this talent as he found it rather disrespectful-- they had more than enough time to get from class to class. But Uzume* (Tobi wasn’t really one for caring about pureblood status nor using proper terminology when he didn’t have to and he kind of assumed that he could call people whatever he so desired inside his head) had never really been outright disrespectful in class so he’d always shrugged it off. Looking at her rather plain stamp now though along with her rather nonchalant attitude made him second guess himself-- perhaps he had been right about her in the first place.

“Um,” he said slowly as he tried to think of something nice to say to her. “It certainly looks rather minimalist, you could always go for that angle if she questioned you.” He shrugged. “But I would spend more time on it if I were you.” The class period was an hour long which meant they all had more than enough time to make sure their piece looked presentable before having to give it to Professor Skies for grading. A shoddy piece was no excuse unless the spell was extremely troubling to the student for some reason.

*OOC: As Tobi has never talked to her and just knows her name from roll call/the Opening Feast I’m going to assume she has been introduced in both of those places in the Western manner and so he doesn’t think Shinohara is her first name.
10 Tobias Reinhardt II, Teppenpaw Optimism is good. 289 Tobias Reinhardt II, Teppenpaw 0 5